June 2012
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Anonymous at June 27, 2012 0
Results For Final Year Students Who Got Arrears In Previous Semesters (I-VII) Will Probably Delayed And Published Along With 2nd,4th,6th Semester Results
-----------------------------------------------------
Latest Update On 8TH Semester Results

"Anna University Affiliated Colleges All Over Tamilnadu 8TH Semester Results Has Been Announced"

RESULTS LINK:


LINK1 : CLICKHERE


LINK1 : CLICKHERE


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Anonymous at June 18, 2012 0
New Delhi: Former president Dr APJ Abdul Kalam is likely to announce his decision today on whether he will contest the Presidential election. According to sources, the BJP and the Trinamool Congress are urging him to contest. Senior BJP leader Sudheendra Kulkarni met the former president at his home today.


           If Kalam decides to throw in his hat in the ring, he may pose a formidable challenge to Pranab Mukherjee who has emerged as a front runner in the race to Raisina Hill. Bihar Chief Minister Nitish kumar may then have to decide who he will back.

According to sources, the Bihar CM is believed to have also conveyed to the BJP “politely but firmly” that his party favoured “nothing else than consensus” on Pranab.

Compulsions of governance and NDA’s internal politics are said to be steering Nitish. The chief minister has been seeking special category status for Bihar from the Centre. He is also believed to be wary of the rise of Narendra Modi, particularly after the BJP started projecting the Gujarat chief minister as a national leader. Nitish yesterday met Jairam Ramesh in Patna and reminded the Union minister of a letter the chief minister had written to the Prime Minister on the special status.

Consensus eludes NDA

The NDA had met yesterday morning at Advani’s residence deferred its decision. Dal (U) president Sharad Yadav, who is also the coalition’s convener, told reporters that Advani would consult the BJP as well as NDA chief ministers Nitish Kumar and Parkash Singh Badal. “More discussions are required to arrive at the right decision,” said Yadav.

BJP and NDA sources said the political imperative at this juncture was to keep the coalition intact and not give the impression that the NDA was a divided house, “ripe for the UPA to encroach upon”. Sources said a hint of discord would not only enable the Congress to grandstand — especially after the UPA roped in the Samajwadi Party, BSP and the Telangana Rashtra Samiti to back Mukherjee —but also trigger speculation about the durability of the Dal (U)’s long-standing alliance with the BJP.

The absence of the Shiv Sena from yesterday's consultations fed rumours of the NDA working at odds. Sena sources, however, claimed that their representative and Rajya Sabha MP Sanjay Raut was “preoccupied” with a scheduled programme of which the BJP was informed in advance. “I will emphasise that the Sena will not do anything contrary to the NDA,” a Sena source said.
Why is Kalam not keen on contesting so far
The former president reportedly does not want to be pushed into a token contest which he was bound to lose and would only make him look power-hungry. "Although Dr Kalam advises youngsters to dream, he is also a realist with his feet rooted to the ground. So he knows which way the presidential wind is blowing now,” said a former professor of Anna University, who had worked with him.
According to Kalam’s close friends, his innate decency in not wanting to hurt Mamata has so far kept him from coming out in public about staying away from the contest.  “When Mulayam backed out suddenly, not only Mamata but even Dr Kalam was shocked. Mamata personally apologised to him for this,” said the Kalam aide. According to another source — the editor of a Tamil daily — Kalam had told him a month ago that in the absence of a consensus, he would not throw his hat in the ring.
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Anonymous at June 18, 2012 7
ANNA UNIVERSITY,CHENNAI
PAPER VALUATION REPORT MAY/JUNE 2012
BE/BTECH FOURTH,SIXTH SEMESTERS
IN ADDITION WITH 3RD,5TH,7TH SEMESTERS

HOW ABOUT THE PAPER CORRECTION/VALUATION FOR  FOURTH,SIXTH SEMESTERS BE/BTECH ANNA UNIVERSITY MAY/JUNE 2012 EXAMINATIONS
Fourth,sixth semester paper valuation is currently going on and valuation is excepted to complete by Next Week , and May/June/July 2012 Anna University Results(Common To All Colleges in TN) are expected to announce by last week of July 2012 or first week of August 2012 ([Except Eight Semester],[ Including Second Semester]) - Sources Added
So What About The Paper Valuation Is It Liberal Or Strict ?
------------------------------------------------------------------------
First Of All Nobody can Predict Any Paper Evaluation history . Its Purely depends on the examiner , if you are really lucky your paper May passes with liberal valuation
------------------------------------------------------------------------
We Will Update The Detail Whatever We gathered  Instantly Keep Visiting our http://wingsoffirevb.blogspot.in for More Updated Details :
4TH SEMESTER CSE &IT:
                                      "4th Semester Operating Systems and Microprocessor and micro controller  For CSE Department Students got Some Tough Question Paper Earlier, Results are not Up To The Mark for Operating system and MM  in comparing with other 4th semester CSE subjects"


What's Latest


PQT Results Will Be Good When Compared To PRP


This Is The Overall Results Stats When Comparing Subjects
OS - ||||||||||||||||| 60%
DBMS - ||||||||||||||68%
COA - |||||||||||||||||||70%


AI Results For Third Year CSE Students will be Somewhat Bad When Compared To Other Subjects in Sixth Sem 



Update
((Anna university,chennai May/June 2012 Results publication is delayed and May/June 2012 results for all Years (ie First,second,Third,fourth Year[with Arrear])are Expected to Announce by Second Week Of August 2012 |)
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Anonymous at June 17, 2012 0
                              Search engine optimization or SEO is the process of making website easy to find on the search engines for it targeted and relevant keywords (key phrases). This is achieved by optimizing internal site’s structure and external factors for high search engine rankings. The goal of every SEO campagin should be the increasing of targeted visitors surfing the site. This means that only targeted visitors who are interested in the products and services you offer will increase the amount of your sales and ROI (return on investment) in times!
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Anonymous at June 17, 2012 0 
  MAHARASHTRA STATE BOARD OF SECONDARY & HIGHER SECONDARY EDUCATION , PUNE - 5                                                      
   DIVISION AND SEX WISE PERFORMANCE OF CANDIDATES (FRESH)                                                                  
                          S.S.C. EXAM OF MARCH   2012 

--------------------------------------------------------------------------------------------------------------
SR   DIVISION            REGISTERED              APPEARED                   PASSED         PASSED PERCENTAGE  
                   MALE    FEMALE   TOTAL  MALE   FEMALE   TOTAL    MALE   FEMALE  TOTAL  MALE   FEMALE  TOTAL
--------------------------------------------------------------------------------------------------------------
1  PUNE           131208  110030  241238  130791  109689  240480  117606  100527  218133  89.92  91.65  90.71 
--------------------------------------------------------------------------------------------------------------
2  NAGPUR          89539   90938  180477   89027   90654  179681   64147   69800  133947  72.05  77.00  74.55 
--------------------------------------------------------------------------------------------------------------
3  AURANGABAD      80707   60329  141036   80026   59978  140004   55649   44252   99901  69.54  73.78  71.36 
--------------------------------------------------------------------------------------------------------------
4  MUMBAI         163305  148591  311896  162978  148358  311336  143688  133213  276901  88.16  89.79  88.94 
--------------------------------------------------------------------------------------------------------------
5  KOLHAPUR        78470   63449  141919   78314   63306  141620   69240   57045  126285  88.41  90.11  89.17 
--------------------------------------------------------------------------------------------------------------
6  AMARAVATI       80902   73728  154630   80337   73443  153780   54183   53572  107755  67.44  72.94  70.07 
--------------------------------------------------------------------------------------------------------------
7  NASIK          100516   80638  181154  100283   80496  180779   75421   63901  139322  75.21  79.38  77.07 
--------------------------------------------------------------------------------------------------------------
8  LATUR           53082   42865   95947   52546   42626   95172   35559   30116   65675  67.67  70.65  69.01 
--------------------------------------------------------------------------------------------------------------
9  KONKAN          22296   20572   42868   22284   20564   42848   20975   19276   40251  94.13  93.74  93.94 
--------------------------------------------------------------------------------------------------------------
   OVERALL   :    800025  691140 1491165  796586  689114 1485700  636468  571702 1208170  79.90  82.96  81.32 
--------------------------------------------------------------------------------------------------------------                       
   DIVISION AND SEX WISE PERFORMANCE OF CANDIDATES (REPEATER)                                                               
                          S.S.C. EXAM OF MARCH   2012
 
--------------------------------------------------------------------------------------------------------------
SR   DIVISION            REGISTERED              APPEARED                   PASSED         PASSED PERCENTAGE  
                   MALE    FEMALE   TOTAL  MALE   FEMALE   TOTAL    MALE   FEMALE  TOTAL  MALE   FEMALE  TOTAL
--------------------------------------------------------------------------------------------------------------
1  PUNE            19652    7845   27497   19494    7794   27288    6574    3209    9783  33.72  41.17  35.85 
--------------------------------------------------------------------------------------------------------------
2  NAGPUR          15283   10822   26105   15209   10793   26002    4409    3698    8107  28.99  34.26  31.18 
--------------------------------------------------------------------------------------------------------------
3  AURANGABAD      14960    6514   21474   14930    6500   21430    2015    1039    3054  13.50  15.98  14.25 
--------------------------------------------------------------------------------------------------------------
4  MUMBAI          39264   21653   60917   39045   21574   60619   14376    8722   23098  36.82  40.43  38.10 
--------------------------------------------------------------------------------------------------------------
5  KOLHAPUR        11598    4318   15916   11567    4311   15878    3119    1355    4474  26.96  31.43  28.18 
--------------------------------------------------------------------------------------------------------------
6  AMARAVATI       19427   11849   31276   19384   11838   31222    5929    4525   10454  30.59  38.22  33.48 
--------------------------------------------------------------------------------------------------------------
7  NASIK           12255    4319   16574   12191    4293   16484    3377    1644    5021  27.70  38.29  30.46 
--------------------------------------------------------------------------------------------------------------
8  LATUR            9301    4449   13750    9275    4438   13713    1393     823    2216  15.02  18.54  16.16 
--------------------------------------------------------------------------------------------------------------
9  KONKAN           1606     829    2435    1590     824    2414     502     328     830  31.57  39.81  34.38 
--------------------------------------------------------------------------------------------------------------
   OVERALL   :    143346   72598  215944  142685   72365  215050   41694   25343   67037  29.22  35.02  31.17 
--------------------------------------------------------------------------------------------------------------

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Anonymous at June 17, 2012 0
  • Sanath Jayasuriya remains the only Sri Lankan batsman to score a triple hundred and also the only batsman in Sri Lanka-India Test series. Jayawardene is the only Sri Lankan batsman to score double hundreds on two occasions.
  • Virender Sehwag is the only Indian batsman to score double hundreds on two occasions - 293 in 2009 and 201* at Galle in Jul 2008. Sehwag's 293 is the highest individual score by an Indian batsman against Lanka.
  • Sachin Tendulkar has scored eight hundreds which is not only the Indian record for most hundreds against Sri Lanka but also a record in Sri Lanka-India Test series. MS Dhoni is the lone Indian wicket-keeper to score two hundreds against Sri Lanka.
  • Muttiah Muralidaran of Sri Lanka {97}, A Kumble of India {74} and Harbhajan Singh of India {50} are the three bowlers who have captured fifty plus wickets in India-Sri Lanka Test series.
  • There are three occasions of a Sri Lankan bowler capturing ten or more wickets against India. 11 for 110 by Muralitharan in 2008, 11 for 196 by Muralidaran in 2001 and 10 for 209 by Mendis in 2008.
  • Rangana Herath returned with figures of 240 runs in 53 overs to be the most expensive bowling figures in terms of runs conceded by a Sri Lankan bowler against India.
  • Mohammad Azharuddin of India with 27 catches and Hasan Tilakaratne of Sri Lanka with 16 catches hold the record for most number of catches by a Indian fieldsman and by an Sri Lankan fieldsman respectively in Sri Lanka-India Tests.
  • SAR Silva of Sri Lanka with 22 dismissals and Nayan Mongia of India with 18 dismissals hold the record for most dismissals by a Sri Lankan wicket-keeper and by an Indian wicket-keeper respectively in Sri Lanka-India Tests.
  • Sri Lankan batsmen have posted 33 three-figure partnerships against India. 576 runs for the second-wicket between Sanath Jayasuriya and Roshan Mahanama in 1997 represent the highest three figure partnership against India.
  • Indian batsmen have posted 43 three-figure partnerships against Sri Lanka. 272 runs for the sixth-wicket between Azharuddin and Kapil Dev in 1996 represent the highest three figure partnership against Sri Lanka.
India vs Sri Lanka

Sri Lanka in India (1982/83)
Only Test at Chennai - Sep 17-22, 1982, Match drawn (Sri Lanka 346 and 394; Ind 566/6d and 135/7)
Result Drawn 1
 
India in Sri Lanka (1985)
1st Test at Colombo (SSC) - Aug 30-Sep 4, 1985, Match drawn (Ind 218 and 251; SL 347 and 61/4)
2nd Test at Colombo (PSS) - Sep 6-11, 1985, Sri Lanka won by 149 runs (SL 385 and 206/3d; Ind 244 and 198)
3rd Test at Kandy - Sep 14-19, 1985, Match drawn (Ind 249 and 325/5d; SL 198 and 307/7)
Result Sri Lanka 1, Drawn 2
 
Sri Lanka in India (1986/87)
1st Test at Kanpur - Dec 17-22, 1986, Match drawn (SL 420; Ind 676/7)
2nd Test at Nagpur - Dec 27-31, 1986, India won by an innings and 106 runs (SL 204 and 141; Ind 451/6d)
3rd Test at Cuttack - Jan 4-7, 1987, India won by an innings and 67 runs (Ind 400; SL 191 and 142 (f/o)
Result India 2, Drawn 1
 
Sri Lanka in India (1990-91)
Only Test at Chandigarh - Nov 23-27, 1990, India won by an innings and 8 runs (Ind 288; SL 82 and 198 (f/o)
Result India 1
 
India in Sri Lanka (1993)
1st Test at Kandy - Jul 17-22, 1993, Match drawn (SL 24/3)
2nd Test at Colombo (SSC) - Jul 27-Aug 1, 1993, India won by 235 runs (Ind 366 and 359/4d; SL 254 and 236)
3rd Test at Colombo (PSS) - Aug 4-9, 1993, Match drawn (SL 351 and 352/6; Ind 446)
Result India 1, Drawn 2
 
Sri Lanka in India (1993/94)
1st Test at Lucknow - Jan 18-22, 1994, India won by an innings and 119 runs (Ind 511; SL 218 and 174 (f/o))
2nd Test at Bangalore - Jan 26-30, 1994, India won by an innings and 95 runs (Ind 541/6d; SL 231 and 215 (f/o))
3rd Test at Ahmedabad - Feb 8-12, 1994, India won by an innings and 17 runs (SL 119 and 222; Ind 358)
Result India 3
 
India in Sri Lanka (1997)
1st Test at Colombo (RPS) - Aug 2-6, 1997, Match drawn (Ind 537/8d; SL 952/6d)
2nd Test at Colombo (SSC) - Aug 9-13, 1997, Match drawn (SL 332 and 415/7d; Ind 375 and 281/5)
Result Drawn 2
 
Sri Lanka in India (1997/98)
1st Test at Mohali - Nov 19-23, 1997, Match drawn (SL 369 and 251/6; Ind 515/9d)
2nd Test at Nagpur - Nov 26-30, 1997, Match drawn (Ind 485)
3rd Test at Mumbai - Dec 3-7, 1997, Match drawn (Ind 512 and 181/9d; SL 361 and 166/7)
Result Drawn 3
 
Asian Test Championship in Bangladesh, India, Pakistan and Sri Lanka (1998/99)
1st Match: India v Pakistan at Kolkata - Feb 16-20, 1999, Pakistan won by 46 runs (Pakistan 185 and 316; Ind 223 and 232)
2nd Match at Colombo (SSC) - Feb 24-28, 1999, Match drawn (Ind 518/7d and 306/5; SL 485)
3rd Match: Pakistan v Sri Lanka at Lahore - Mar 4-8, 1999, Match drawn (Pakistan 398 and 314/8d; SL 328 and 165/2)
Final: Pakistan v Sri Lanka at Dhaka - Mar 12-15, 1999, Pakistan won by an innings and 175 runs (SL 231 and 188; Pakistan 594)
Winner Pakistan
 
India in Sri Lanka (2001)
1st Test at Galle - Aug 14-17, 2001, Sri Lanka won by 10 wickets (Ind 187 and 180; SL 362 and 6/0)
2nd Test at Kandy - Aug 22-25, 2001, India won by 7 wickets (SL 274 and 221; Ind 232 and 264/3)
3rd Test at Colombo (SSC) - Aug 29-Sep 2, 2001, Sri Lanka won by an innings and 77 runs (Ind 234 and 299; SL 610/6d)
Result Sri Lanka 2, India 1
 
Sri Lanka in India (2005/06)
1st Test at Chennai - Dec 2-6, 2005, Match drawn (Ind 167; SL 168/4)
2nd Test at Delhi - Dec 10-14, 2005, India won by 188 runs (Ind 290 and 375/6d; SL 230 and 247)
3rd Test at Ahmedabad - Dec 18-22, 2005, India won by 259 runs (Ind 398 and 316/9d; SL 206 and 249)
Result India 2, Drawn 1
 
India in Sri Lanka (2008)
1st Test at Colombo (SSC) - Jul 23-26, 2008, Sri Lanka won by an innings and 239 runs (SL 600/6d; Ind 223 and 138 (f/o))
2nd Test at Galle - Jul 31-Aug 3, 2008, India won by 170 runs (Ind 329 and 269; SL 292 and 136)
3rd Test at Colombo (PSS) - Aug 8-11, 2008, Sri Lanka won by 8 wickets (Ind 249 and 268; SL 396 and 123/2)
Result Sri Lanka 2, India 1
 
Sri Lanka in India (2009/10)
1st Test at Sardar Patel Stadium, Motera, Ahmedabad - Nov 16-20, 2009, Match drawn (Ind 426 and 412/4; SL 760/7d)
2nd Test at Green Park, Kanpur - Nov 24-27, 2009, India won by an innings and 144 runs (Ind 642; SL 229 and 269 (f/o))
3rd Test at Brabourne Stadium, Mumbai - Dec 2-6, 2009, India won by an innings and 24 runs (SL 393 and 309; Ind 726/9d)
Result India 2, Drawn 1
 
India in Sri Lanka (2010)
1st Test at Galle International Stadium, Galle, Jul 18-22, 2010, Sri Lanka won by 10-wickets (SL 520/8d; Ind 276 and 338 f/o)
2nd Test at Sinhalese Sports Club, Colombo, Jul 26-30, 2010, Match drawn (SL 642/4d and 129/3d; Ind 707)
3rd Test at P Sara Oval, Colombo, Aug 03-07, 2010, India won by 5-wickets (SL 425 and 267; IND 436 and 258/5)
Result Sri Lanka 1, India 1, Drawn 1
 
Overall Test Records (Since 1982)
 
S# Year Venue Total India Sri Lanka Drawn
1. 1982/83 India 1 - - 1
2. 1985 Sri Lanka 3 - 1 2
3. 1986/87 India 3 2 - 1
4. 1990/91 India 1 1 - -
5. 1993 Sri Lanka 3 1 - 2
6. 1993/94 India 3 3 - -
7. 1997 Sri Lanka 2 - - 2
8. 1997/98 India 3 - - 3
9. 1998/99 Asian Test Championship 1 - - 1
10. 2001 Sri Lanka 3 1 2 -
11. 2005/06 India 3 2 - 1
12 2008/09 Sri Lanka 3 1 2 -
13. 2009/10 India 3 2 0 1
14. 2010/11 Sri Lanka 3 1 1 1
  Total   35 14 6 15
First match: Only Test at Chennai - Sep 17-22, 1982, Match drawn
Last match: 3rd Test at P Sara Oval, Colombo, Aug 03-07, 2010, India won by 5-wickets
 
India v Sri Lanka - One Day International Records (Since 1979)
Total Match - 128
India Won - 67
Sri Lanka - 50
No Result - 11
First match - Jun 16-18, 1979, Manchester, Sri Lanka won by 47 runs
Last match - Final, Tri series Aug 28, 2010, Rangiri Dambulla International Stadium, Dambulla Sri Lanka won by 74-runs.
 
Sri Lanka v India - Twenty20 International Records (Since 2009)
Total Match - 4
India Won - 2
Sri Lanka Won - 2
First game: India won by 3-wickets (four balls remaining), Colombo, February 10, 2009.

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Anonymous at June 17, 2012 0
AIEEE Results 2012 is expected to be declared on Friday, 01 June 2012 ending the anxious wait by over 11 lakh students who took the prestigious AIEEE Exam 2012.

The All India Engineering Entrance Examination (AIEEE) is conducted for admissions into the National Institute of Technology (NITs). 
Besides NITs, admission to IIITs, Technical Institutions, Delhi Technological University and other Govt. funded Institutions are offered through this examination. 

Although, there is no official confirmation yet, the buzz says that the results will be out 01-June-2012. 

Candidates can check the AIEEE Results 2012 on http://aieee.nic.in/aieee2012/aieee/welcome.html 

This year AIEEE was conducted both online and offline by the Central Board of Secondary Education (CBSE). The exam was held on April 29, 2012 and the online exams were held on May 7, 12, 19 and 26. 

People Searching On This Page:

  • www.aieeeresults2012
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  • AIEEE.RESULTS OF 2012
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Anonymous at June 17, 2012 0

Maharashtra SSC results 2011 are out and the next step is to get admission in FYJC (First year Junior College). This year it will be difficult to get admission in your favorite college provided you have got a good score. To make your job simpler here is the list of colleges in Navi Mumbai with their cutoff marks.

The cut off marks for entry into different colleges is already decided today (listed below) and by June 27 the SSC mark sheets will be handed over to respected schools. For Arts, Science and Commerce steams the general merit list will be declared at 5 pm on July 22 and on August 1st the second merit list will be declared.

List of Colleges in Vashi

* Fr Agnel Multipurpose School and Junior College
Sector 9A, Vashi,
Navi Mumbai.
Telephone : 26423841
Cutoff : Science 521, Commerce 468
* Modern College - Karmaveer Bahurao Patil
Vashi (Juhunagar), Sector 15A,
Navi Mumbai.
Telephone :27663723, 27661210
Cutoff : Science 485, Arts 396
* ICLES Motilal Jhunjhunwala College, Vashi
Sector 9A, Vashi,
Navi Mumbai, District Thane
Telephone : 27663061
Cutoff : Science 477, Commerce 419

List of Colleges in Sanpada

* Sanpada College Of Comm. And Technology
Sector 2, Sanpada, Near Railway Station,
Plot No 3, 4, 5 Sanpada, Navi Mumbai.
Telephone : 27632213, 27618715
Cutoff : Science 382, Commerce 257
* High School Sanpada & Jr College
Plot No 12, Sector 18, Sanpada,
Navi Mumbai - 4007059
Cutoff : Science 314

List of Colleges in Nerul

* S.I.E.S Junior College Of Commerce
Sri Chandrasekarendra Saraswathy Vidyapuram,
Sector V, Plot No 1C , Nerul,
Navi Mumbai.
Telephone : 22652819, 27713282, 22652825
Cutoff : Commerce: 477
* Dr. D Y Patil Jr. College
Sector 5, Nerul,
Navi Mumbai
Telephone: 27709218
Cutoff : Science 482
* St Xaviers High School And Junior College Of Science
Sector - 3 , Phase I, Nerul (East), Navi Mumbai.
Telephone : 27707458, 27707519.
Cutoff : Science 511

List of Colleges in CBD Belapur

* Bharti Vidyapith Prashala And Junior College
Sector 3, CBD Belapur, Opp Konkan Bhavan,
Navi Mambai 400 614
Telephone : 27571074, 27572140
Cutoff : Science 499, Commerce 420
* People's Education Society High School And Junior College
Aparant, Sector-1, CBD Belapur, Near Konkan Bhavan,
Navi Mumbai 400 614.
Telephone : 25333593
Cutoff : Science 468
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Anonymous at June 17, 2012 0
Engineering admission will be open in next academic year after the results of higher education or secondary higher education board i.e. SSC, HSC, this resource stats the engineering admission in Maharashtra state.

Engineering Admission process for 2012-2013 year in Maharashtra
In India, generally engineering admissions open mid of every year's i.e. July/August after the results of higher education. After the results of SSC, HSC engineering admission process starts almost in every engineering college, universities.
Engineering Admissions through CET in Maharashtra
Those students who want to go engineering field may have to face Common Entrance Test in some states of India. In Maharashtra, from last 5 years CET is compulsory for Admission process of Engineering, Medical, and MBA. Top scorers of CET gets Top engineering college in Maharashtra with free seats facility, scholarships and others. Students those not success in CET exam may have option of paid seats in Top engineering colleges of Maharashtra and can take admission in selected colleges or private engineering colleges.
List of Top Engineering colleges in Maharashtra
These are the top selected colleges in Maharashtra. For more information of engineering colleges students may refer to official website of Direct Technical Board of Education (DTE), Mumbai or Maharashtra State Board of Technical Education (MSBTE)
• Indian Institute of Technology - Bombay, Mumbai
• Jawaharlal Nehru Engineering College, Aurangabad
• Manjara Charitable Trusts Rajiv Gandhi Institute of Technology, Mumbai
• Mahatma Gandhi Mission’s Col Of Engineering, Mumbai
• NB Navale Sinhgad College of Engineering, Solapur
• A.C. Patil College Of Engineering, Thane
• Ankush Shikshan Sanstha'S G.H. Raisoni College Of Engineering, Nagpur
• Vishweshvarya Regional Col Of Engineering, Nagpur
• Maharashtra Academy of Engineering and Education Research, Pune
• St Francis Institute of Technology, Mumbai
• Jawaharlal Darda Institute of Engineering, Yavatmal
• Prabhodhan S.P.S'S Rajendra Mane College Of Engineering, Mumbai
• BS Bandekar College of Fine Arts, Sindhudurg
• Nutan Maharashtra Vidya Prasarak Mandal - Nutan Maharashtra Institute of Technology , Pune
• Modern Education Societys College of Engineering, Pune
• KJ Somaiya College of Engineering, Mumbai
• Shri Ramdeo Baba Kamla Nehru Engineering College, Nagpur
• Progressive Education Societys Modern College of Engineering, Pune
• Technology & Med Ed. Society'S J.T. Mahajan Col Of Engineering, Jalgaon
• Marathwada Institute of Technology, Aurangabad
• Gramodik Sh.Sanstha'S Marathwada Institute Of Technology , Aurangabad
• Shri Tulja Bhavani College of Engineering, Osmanabad
• Dr JJ Magdum College of Engineering, Kolhapur
• Kavikulguru Institute of Technolgoy and Science, Nagpur
• Amrutvahini College Of Engineering, Ahmadnagar
• Dr Babasaheb Ambedkar Technical University, Raigad
• HVP Mandals College of Engineering and Technology, Amravati
• Government College of Engineering - Pune, Pune

Read more »
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Anonymous at June 17, 2012 0
There will be a common admission examination process in the country from 2013 for undergraduate programmes in engineering in institutions such as the Indian Institutes of Technology (IITs), the National Institutes of Technology (NITs), Indian Institutes of Information Technology (IIITs) and other Central educational institutions.

This will be through a Joint Entrance Examination (JEE) that wil be conducted in two parts, JEE-MAIN and JEE-ADVANCED, with weightage given to performance in the Class XII Board examinations.

This was decided at a meeting of the Joint Councils of IITs, NITs, IIITs and other Central educational institutions here today, which was presided over by Union Minister for Human Resource Development Kapil Sibal, after a process of deliberations and consultations spanning over two years.

According to an official press release, the Class XII Board/equivalent marks normalized on percentile basis through an appropriate formula plus the marks obtained in the JEE-MAIN examination, with equal weightage, would be used by IITs for purposes of gating/screening.

Only a fixed number of candidates (five times the number of the seats for admission in the IIT system or a pre-fixed cut-off) screened on the basis of merit assessed on the basis of cumulative score of normalized School Board marks and performance in JEE-MAIN examination would be eligible to be considered for admission.

The ranking for admission to undergraduate programmes in IITs would be based entirely on the performance in the JEE-ADVANCED examination from amongst the candidates screened through this process. 

For all other Centrally funded Institutions, there would be 40% weightage for performance in Class XII Board marks normalized on percentile basis through an appropriate formula, 30% weightage for performance in JEE-MAIN and 30% weightage in JEE-ADVANCED and a combined merit decided accordingly.

JEE-MAIN tests shall be multiple choice objective type paper whereas the nature and modalities of the JEE-ADVANCED shall be determined by the Joint Admission Board of IITs.

The proposed changes will be effective from the year 2013 and both CFTIs and CBSE would work jointly.

The Joint Admission Board (JAB) of the IIT system would have complete control on matters such as paper setting, evaluation and preparation of the merit list, etc. over the JEE-ADVANCED and CBSE would provide the administrative support for conduct of the examination.

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For the conduct of the JEE-MAIN examination an expanded Joint Admission Board shall be constituted including the NIT system, other CFTIs and State Government representatives in an appropriate manner. CBSE will provide the administrative and logistic support for the conduct of JEE-MAIN examination across the country.

The process of establishing co-ordination between COBSE & JAB-IITs for implementation of the core curriculum in sciences and mathematics across the CBSE, ICSE and State Boards shall be put in place immediately.

Those students who have appeared in the Class XII Board examinations in 2012 and wish to improve upon their performance can appear again for the Board examinations in 2013. CBSE and State Boards would make appropriate arrangements to facilitate this through a special dispensation.

The transparency processes established by the IIT system presently and in AIEEE-2012 shall be adopted for the JEE-MAIN and JEE-ADVANCED, too, the release said.

The decision seeks to address the concern in society caused by the multiplicity of entrance examinations that a student intending to pursue a course in engineering has to appear for.

The burden imposed on the students in terms of time, payment of examination fees and the stress caused in scheduling and preparing for each examination is tremendous. The students have to perforce restrict their choice of institutions for which they can compete.

The Government has been working on reforms in the examination system by moving towards a common national test to reduce the burden on the students and at the same time preserving the autonomy of the State Governments and institutions in devising its admission process.

According to the release, another serious problem with the present system is the neglect of the Class XII examination process while admitting students to engineering institutions. This has led to the almost complete disregard to the secondary school system and neglect of education imparted in schools, impacting quality and access.

Parents and children have been forced to seek access to outside-the-school instruction methods to enable the student to prepare for the multitude of entrance examinations. The proposed reform attempts to bring focus back to the schooling system by giving weightage to performance in Class XII Board examinations normalized on percentile basis. The reform would, in the longer term, have an impact on the quality of secondary education and enable better quality access, the release said.

It said the Joint Councils of IITs, NITs & IIITs considered various views that had emerged during the process of consultations. A strong body of opinion amongst the members of the Council was that the importance of the schooling system has to be revived in the larger public interest by giving due weightage to the performance of students in the Class XII Board examinations and at the same time maintaining the credibility and integrity of admissions to higher educational institutions.

A meeting of State Education Ministers’ is proposed for June 5 where the participation of States in the common national test process would be deliberated upon. States would have the freedom to join in the process and have the autonomy to determine their own relative weightages to normalized Class XII Board marks, performance in JEE-MAIN and JEE-ADVANCED, the release added.
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Anonymous at June 17, 2012 0
The studios that produce Hollywood's biggest blockbusters are always on the same wavelength. Whether it's meteor disaster movies, animated bug comedies, or revisionist Snow White tales, audiences never get just one. As if they're pulling ideas from some communal think tank, everyone's spinning the latest craze in their own fashion. Hey, as long as they're good!
This weekend sees the release of two comedies with an odd connection: Celebrity burnouts from the 1980s. Rock of Ages costars Tom Cruise as frontman for the rock band Arsenal, the legendary Stacee Jaxx, who we see preparing for a "solo career" aka nowheresville. That's My Boy sees Adam Sandler riding his fame as a child tabloid celebrity all the way to modern day, where he's broke, drunk and... stuck in nowheresville. Coincidence? Pretty much, but it does make for a heated weekend between two of the movie business' biggest stars in a competition of scumbags. Who is the victor? We compare the two:
Cruise as Stacee Jaxx: A Washed Up Icon of '80s Hair Metal
Sandler as Donny: A Washed Up Icon of '80s Pop Culture
Winner: Sandler. Even a washed up rock star like Stacee Jaxx has a legacy of headbang-worthy tunes. All Donny has is massive debt, a swollen ego, and a TV movie recounting the time he impregnated his middle school teacher. And it rarely airs!
Cruise as Stacee Jaxx: Relies on nostalgia by singing "Pour Some Sugar on Me"
Sandler as Donny: Relies on nostalgia by resurfacing the '90s catchphrase "Wassssuuuuuup!"
Winner: Cruise. The beer commercial slogan may not have been that funny the first time, but Cruise's Jaxx is such a rock star dud that he has to cover '80s songs made famous by other hair metal bands.
Cruise as Stacee Jaxx: Mistakenly believes Mick Jagger of The Rolling Stones is visiting him (because that's possible).
Sandler as Donny: Actually hangs out with Vanilla Ice.
Winner: Cruise. Jaxx's ego is so inflated that the mere mention of Rolling Stone magazine has his head snapping up gopher-style, looking around for his famous "friends." Vanilla Ice may be a burnout in his own right, but at least he's a genuine friend to Donny.
Cruise as Stacee Jaxx: Names his pet monkey "Heyman"
Sandler as Donny: Names his son "Han Solo"
Winner: Sandler. Nothing screams "I had a kid star when I was thirteen," like naming your son after a popular sci-fi character.
Cruise as Stacee Jaxx: Drinks 100 year old champagne while peeing on his manager.
Sandler as Donny: Drinks a Budweiser while scaling the side of a building.
Winner: Cruise. Sandler's Donny can always be seen chugging a brewski at an inappropriate time, but Jaxx makes it a point to both guzzle alcohol while acting like a total loser. Downing the century-old bubbly would be a rock star move, but peeing on his manager's foot while doing so is near-hobo behavior.
Cruise as Stacee Jaxx: Sings into a female reporter's butt
Sandler as Donny: Rubs one out to a photo of a grandmother
Winner: Sandler. No explanation needed.
Cruise as Stacee Jaxx: Proves even a drunk rocker is capable of true love.
Sandler as Donny: Proves even a drunk do-nothing is capable of turning everyone around him into drunk do-nothings
Winner: Sandler. In the last act of Rock of Ages, it's clear there's hope for Stacee Jaxx's solo career. In the finale of That's My Boy, one wonders why anyone gives Sandler's Donny two seconds of their time. In some cases, it's "once a burnout, always a burnout."
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Anonymous at June 17, 2012 0
Rajini


Rajini, Deepika - Kochadaiyaan

Its being strongly speculated that superstar Rajini and Deepika Padukone will have a classical dance number in Kochadaiyaan. Although the movie is shot using motion capturing, which means you will see less of the actors but more of the visual effects, it will be interesting to watch the performance nevertheless.
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Anonymous at June 17, 2012 0
Those were the days when proficiency in skills like classical dancing and singing were part of the qualifications that would fetch you a film offer. We still have actors trained in both but they are rare. Our thought was triggered by Kamal’s Kathak performance in the Viswaroopam trailer. Here’s an attempt to chronicle the best of Kollywood classical dancers of recent times.




Kamal


Kamal - Viswaroopam, Salangai Oli and lot of films

What form of classical dance can Kamal not do? Nothing, almost! From his beginning days in films like Salangai Oli, in which he did a brilliant Bharatanatyam number, to his latest in Viswaroopam performing Kathak, Kamal has come a long way. It only reiterates Kamal’s dedication and perseverance towards learning new things, despite being a veteran in the industry.
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Anonymous at June 17, 2012 0

Russell Brand does sometimes address his failed marriage with Katy Perry, but that apparently doesn’t mean it’s fine to always ask him about her.
Brand recently got upset while chatting with talk show host Graham Norton when asked about his divorce with Perry, states RadarOnline. “My mum is here. She got upset when you dragged up my marriage,” Brand commented.
“I saw her cry, Graham. That’s the reality because it’s real people, Graham, that’s my real mum. I have come here to promote a film and you made my mum cry,” Brand continued.
However, Norton defended himself by commenting that it would be weird to not ask as Perry was recently on the show, but Brand wasn’t buying it.
“What I would have done, mate, in your position is come up to me before the show and gone ‘Eh, listen it’s a bit odd your ex-missus was on last week. I might mention it, is that OK?’ But in all of the chatting and the research backstage, no one mentioned it,” Brand finished.
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Anonymous at June 17, 2012 0
Starring: Nitin Sathya, Disha Pandey, Ganja Karuppu Direction: S.T. VendhanMusic: KannanProduction: T Rajeshwari

Vendhan’s Mayanginen Thayanginen starring Nitin Sathya, Disha Pandey, Pawan, Tharun Shatriya, Tejasri and Ajay Rathnam has hit the screens this week. The makers boast that it is a romantic film, filled with unusual twists and turns. 

Apart from the main story line, there are three more stories talked about in Mayanginen Thayanginen. But neither has the smallest link with the main story line, which is supposedly Nitin Sathya’s. The director has also stuffed the script with all possible tragic events.

Can we ever forget the old movies where the lead actor, who has a low earning job, has a crippled sister, a well educated but unemployed brother, seriously ill mother, father a drunkard, and as if these are not enough troubles a villain hunting for his life? Well, director Vendhan, for a change has given a similar scenario to the film’s heroine Disha Pandey. Later, when Nitin Sathya falls in love with her, his fate completely changes.

Ganja Karuppu, Pawan and Tharun Shatriya play the friends of Nitin Sathya. But, their relationship hasn’t been properly established. Ganja Karuppu’s cousin loves Pawan, and Tharun falls in love with Ajay Rathnam’s wife, Tejasri. But, both tracks hang unlinked to the main story. Ajay Rathnam plays a bad cop and a bad husband. His story in the film too appears unnecessary and insignificant. Sanjana’s item number doesn’t fit the situation.

The technical department fails to impress in the film. Rameswaran’s cinematography appears less professional. For instance, it is not hard to notice the lens being adjusted during the opening of the film. Editing was understandably jumpy, after all it went through a hundred cuts to get a U certificate. Music director Kannan has done a pretty decent job. His songs, particularly ‘Kanavil Neeyum’ is melting. But, it looks as if he lost interest while doing the BGMs. His idea of using a lugubrious Nadaswaram tune for a death scene is definitely old school and very disturbing.

Most of the dialogues were too poetic (like Maane, Thene, Pon Maane). Every character in the film seemed to possess a poet in him or her. The hero’s usage of chaste Tamil to explain his love was unnatural.

The lusty dialogues and excessive glamour stuffed in the film cause nothing but irritation. There were also scenes reminiscent of at least three films released earlier. Other problems were continuity, unexplained and implausible happenings, mismatched SFXs and so on.

On the whole Vendhan’s Mayanginen Thayanginen is a strenuous watch.
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Anonymous at June 17, 2012 0
Starring: Emraan Hashmi, Abhay Deol, Kalki Koechlin, Prosenjit Chatterjee Direction: Dibakar BanerjeeMusic: Vishal-ShekharProduction: PVR Pictures

Highly acclaimed director Dibakar Banerjee’s latest offering is Shanghai. It is based on the novel Z by Vassilis Vassilikos. The movie has a very interesting star cast of Emraan Hashmi, Abhay Deol and Kalki Koechlin. This film has been distributed by PVR Pictures and produced by DBP and NFDC. The trailer gave us exactly what to expect – a political thriller based on an investigation into a ‘planned’ accident. Does the actual film satiate our appetite for a riveting investigative thriller?

Bharat Nagar is a typical Indian city (fictional) comprising a lot of na├пve, uneducated locals who are all blindly passionate about their ruling party IBP. A big business proposal, also called the IBP (International Business Park) is about to come to this place thereby making it a major developmental hub and a possible Shanghai in future.

The ruling party is firmly behind this business idea. But, social activist Dr. Ahmedi (Prosenjit Chatterjee) wishes to let people know of the actual ground realities of this project and how people would be driven out of their own homes and lands for the sake of this infrastructure.

What follows is a relentless pursuit for justice as Dr.Ahmedi is majorly incapacitated due to an accident. An investigation starts under the helm of the sincere T.A. Krishnan (Abhay Deol), a high ranking bureaucrat. Shalini (Kalki), Dr. Ahmedi’s fierce supporter is dying to expose the people behind Ahmedi’s plight while Joginder (Emraan), a videographer who is also into pornography, backs Shalini in her pursuit for justice with some important evidence.

The above incidents were all nicely packaged in the trailer itself. Now, whether the actual culprits are exposed, whether the hunt for the truth is fruitful and what happens to the aforementioned protagonists is what Shanghai, the ‘movie’ is about.

Emraan Hashmi has pulled off a really different role in his career for the first time. He has totally gone for an ugly, de-glam look with a paunch as well. His teeth are colored, his laughs are typically rustic and his dressing sense is anything but classy. But, his character wins our hearts. Great show by Emraan. Kalki is fierce and aggression personified. Her character’s motives are lofty and honest. Abhay Deol is a Tamilian in the movie and his English has needlessly been tweaked to make it sound like a Tamilian’s. For example office is pronounced as ‘affice’. A needless gimmick. He speaks broken Tamil also for few seconds and is shown listening to the Vishnu Sahasranamam too. Abhay is required to underplay and he does it well. Prosenjit Chatterjee looks majestic with his beard and spectacles.

There are a lot of local character artistes too, who have done their parts well. The songs by Vishal-Shekhar are among the entertaining elements in the movie. ‘Bharat Mata Ki’ is a chartbuster already. Shanghai has an amazing BGM score too. The movie in fact warrants a repeat just for the pulsating BGM score. The music for the climax and the end credits roll take the cake.

To conclude, Shanghai is another worthy offering from Dibakar Banerjee. He has taken Indian politics as the main subject area and based a nice investigative thriller around it. The way the police and high ranking officials are merely puppets used by politicians according to their whims and fancies, is an oft-repeated plotline in Indian films. But, here it has been shown in a realistic manner without any overt cinematic licenses. How small Indian towns are exploited in the name of big infrastructural development is very relevant to the current times.

The movie is gripping from the word go. You will find yourself sucked into the happenings on screen. The item numbers could have been avoided though
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Anonymous at June 17, 2012 0
Starring: Hemachandran, Nandana, Renuka, Shanmugaraja, Balasingh Direction: Dhanapal PadmanabanMusic: NR RagunanthanProduction: Dr. Santhi Duraisamy

These are the days we are bombarded with commercial entertainers and these are also the times Tamil art-house cinema is almost beginning to sound like an oxymoron. However, a perfect blend of art house cinema and entertainment is always welcome and is becoming the norm of the day. Movies like Vazhakku En 18/9 tactfully straddled the thin line and provided us with a wholesome movie experience.

To some extent, director Dhanapal Padmanabhan has managed a balance between commercial and art-house cinema in Krishnaveni Panjaalai. What you get is a minimalistic view of characters and their lives in the movie. There is only straightforward storytelling, but the characters are somewhat neatly sketched out. However, this gives a feeling of interrupted film viewing.

As the name suggests, the movie is about the trials and tribulations of running a cotton mill. The mill’s function is mired with incessant labor issues and ineffectual management. The story circum-navigates people whose lives are entwined with the mill and how the functioning of the mill forms the fulcrum of their lives. Somewhere there is a love story thrown in along with an honor killing by a mother who is unrepentant about her acts.

In a story that has myriad potential to be turned into a sappy and sentimental fare, Dhanapal Padmanabhan exercises restraint and presents an outsider’s look into the lives of characters. The way the plot is structured is neat and on the whole the subject is treated with sensitivity. The stories unravel based on the timeline of the mill’s closure and as the characters go about their lives, it slowly dawns on you that they are jobless for about a year – all this while pulling through financial difficulties.

The movie is dotted with actors who effortlessly slip into the skin of the characters they play. You learn that Dhanapal conducted a 30-day workshop preceding the movie’s shoot and that the movie has, for the first time in Tamil, a casting director – Shanmugaraja. All these efforts are pretty evident as the characters wade in and out and gather your compassion as they appear onscreen.  Krishnaveni is a film on mill workers and being the son of a mill worker, Dhanapal has the advantage of presenting it in a perspective mostly unknown to others.

All the actors, Hemachandran, Nandhana, Rajiv Krishna, Shamugaraja, M. S. Baskar, Ajayan Bala, Renuka, Thennavan, Balasingh, Poovitha and Hemalatha have done a neat job of handling their roles. Suresh Bargav’s camera ensures that you do not wander from the story by highlighting just enough that is required for the movie’s script. And one get’s a feeling that the editing could have been better. N Raghunandan’s music is passable. But the song, Aathaadi and Un Kankal grabs your attention.

On the flipside, it’s unavoidable that you get a slightly off-handed feeling of a documentary hovering around Krishnaveni Panjaalai. Also in some places, the film goes over dramatic. However, with movies that dwell into issues that have never been explored, it seems the viewers can expect an uprising of such products in Tamil.
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Anonymous at June 17, 2012 0
Starring: Anirudh, Jyothsna, Vani Kishore Direction: Vasu BaskarMusic: Srikanth DevaProduction: Vasu Baskar

No matter how beaten to pulp and stale love as a subject becomes, it never fails to spawn ideas and imagination of our filmmakers. Marupadiyum Oru Kadhal is one such movie that is a mishmash of love from today and back from the eighties – or whenever love entered into the world of Tamil films as a predominant subject.

Director Vasu Baskar weaves a tale of love and longing in the world of internet and Face Book with outdated elements like love without the couple seeing each other and suchlike. As if it’s not enough that the movie is riddled with ludicrous logical loopholes, it’s also mired with concepts that even the television serials are afraid to carry these days.

A couple – two medical college students – are head over heels in love but they haven’t seen each other. If this reminds you of Kadhal Kottai days, what follows is something reminiscent of days even before Kadhal Kottai. You see the heroine singing to the hero, who is in his deathbed, to make him realize that she is the love of his life and you see lovers exchanging photos but the coy girl sending the boy a picture blackening the part of the eye so he cannot recognize her.

The movie opens with an accident. An inebriated man is hit by a lorry and as before he slips into unconsciousness, his entire life flashes before his eyes. The director wants you to believe that the poor guy became an alcoholic because of a girl’s love - who even refuses to meet him eye to eye. In these days of speed dating and relationships influenced by social networking, you have a hard time believing that such drama will be saleable.

The film’s leads Annirudh and Jyothsna fill the screen with their dead beat presence. You tend to think that they are probably tired of the movie, as much as you are as an audience. But that’s probably the screenplay’s strength or the lack of it. They do look like they have the potential to shine in a better story.

Srikanth Deva’s music and the movie’s cinematography are a few endurable aspects. If you consider the things the director should have done away with, the laundry list seems endless - starting from the stale theme of blind love without seeing each other.

That said, but for the very sloppy story and the screenplay, the movie is shot well. The scenes in London are nicely captured and the songs – yes what if the film’s lead haven’t seen eye to eye they can still do dream song sequences – are well shot in good locales. And that remains the only takeaway of the movie that is largely a sappy fare of unrequited love of a man and an unreasonably prude girl.
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Anonymous at June 17, 2012 0
 rajini-karunanidhi-16-06-12


Super Star Rajinikanth paid a surprise visit to the Gopalapuram residence of  DMK chief and Ex CM Karunanidhi this morning. The actor caught up with the veteran politician for about half an hour between 10.30 and 11 am and Karunanidhi’s son and politician Stalin was also present during the meeting. Though the finer details of the meeting are not yet out, the surprise visit has raised many eye brows. The actor has not been very active in the social circuit after his illness and rarely does he venture out.

However, Rajini has said that the meeting was purely to pay respects to the veteran and wish him for his birthday which was celebrated on June 3.
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Anonymous at June 17, 2012 0

kamal-haasan-vishwaroopam-16-06-12


Even before Kamal Haasan’s ambitious project Vishwaroopam is released, the actor is gung-ho about doing a sequel to Vishwaroopam. The actor who has also directed the flick has said that he has a script for the sequel and is working on it. He added that there’s a scope for a sequel and instead of doing a very lengthy Vishwaroopam, he wants to tell the story in two films.
Vishwaroopam stars Pooja Kumar, Andrea and Sekar Kapur. Earlier Kamal has done a sequel to the successful film Kalyanaraman which was titled Japanil Kalyanaraman.
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Anonymous at June 17, 2012 0
Contrary to media reports director Sargunam has clarified to Behindwoods that he is not doing Manja Pye with Vimal in the lead. He is doing a film with Dhanush and the film is titled Sotta Valla Kutty. The film will hit the floors in September and the first leg of the shoot will be held in Hosur followed by Nagerkoil. The director has roped in the music director of Vagai Sooda Vaa, Gibran to score the music. Manja Pye will be directed by one of Sargunam's assistant directors, Naveen.
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Anonymous at June 13, 2012 0
New Delhi: Congress President Sonia Gandhi will meet her party's toughest ally Mamata Banerjee in the national capital today seeking to build consensus on the UPA's candidate for President.

The Congress has so far not named its choice for the top post. However, Finance Minister Pranab Mukherjee is believed by many to be the front-runner among those vying to be the next President of the country.

Mr Mukherjee has cancelled a trip to Afghanistan. His office says he wants to remain in Delhi to monitor the economic slowdown. But in political circles, his presence is being read as a sign that he is on stand-by for the Presidential nomination.  Ms Banerjee, who arrived in Delhi yesterday, has reportedly conveyed to the Congress that she will support Mr Mukherjee for President, but not before the Congress declares he is the official candidate for the UPA.

But the Congress doesn't appear ready for that just yet, despite the urging of its allies. That could be because it's still ascertaining whether Mr Mukherjee is a better choice than Vice President Hamid Ansari. Nitish Kumar's party, the JD (U), has said it prefers Mr Ansari. The JD(U) is an important member of the NDA, the coalition led by the BJP. While the BJP is yet to announce its party line, sources say it may be willing to back Mr Mukherjee. BJP leaders Sushma Swaraj and LK Advani have been assigned to coordinate the party's efforts.

By conveying her stand to the Congress, Ms Banerjee has efficiently lobbed the ball right back into her political partner's court before she meets its President Sonia Gandhi today.

The West Bengal Chief Minister reportedly does not want to be accused of blocking a Bengali's path to Rashtrapati Bhawan. She has also denied that her support for the candidate shortlisted by the Congress will depend largely on whether the Centre agrees to waive for three years the Rs. 22,000 crores her state owes as interest on loans.

A more cynical view in political corridors is that for Ms Banerjee, a major advantage of Mr Mukherjee's elevation to President of India is that he would no longer be in government.  Their relationship has not been entirely smooth of late.

Mrs Gandhi has been authorised by her party to choose its candidate for President - the election is scheduled for July 19, and counting, if required, will be held on July 22. Sources in the UPA say that the Congress may wait till the Prime Minister returns from the G-20 summit in Mexico on June 24 before announcing its nomination.

Mulayam Singh Yadav, Sharad Pawar and the DMK, all key allies of the Congress in the UPA coalition, have allegedly pledged - directly or indirectly, in Mr Pawar's case - to back Mr Mukherjee. So the only Congress ally who has yet to come on board is Ms Banerjee.

As the heads of regional parties who scored huge in the last elections in their states, Ms Banerjee and Mr Yadav, who met in Delhi last evening, will have a huge say in who becomes the President. The election places at par the votes of all MPs with those of all elected members of state legislatures - so regional parties count for a lot.

It's not just the post of president that's up for grabs. Jaswant Singh of the BJP, according to sources, is hoping to be made Vice-President. Jaswant Singh met Mr Yadav to ask for his support on Tuesday morning. But Mr Yadav has allegedly refused to back a BJP candidate. The BJP reportedly may be open to supporting the UPA candidate for president in exchange for Mr Singh being accepted as the Vice President.
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Anonymous at June 12, 2012 0
роОро┤ுрокрод்родைропாропிро░роо் роХோроЯி ро░ூрокாроп். ро╡ெро│ிроиாроЯ்роЯு ро╡роЩ்роХிроХро│ிро▓் роХрогроХ்роХிро▓்ро▓ாрооро▓் роХро░ுрок்рокு роиிро▒род்родிро▓் роХுро╡ிрои்родிро░ுроХ்роХுроо் роЗрои்родிропрок் рокрогроо் роТрой்рокродு ро▓роЯ்роЪроо் роХோроЯி ро░ூрокாроп். родிро░ுро╡ройрои்родрокுро░роо் рокрод்роороиாрокроЪுро╡ாрооி роХோропிро▓் рокாродாро│ роЕро▒ைроХро│ிро▓் роХுро╡ிрои்родுро│்ро│ роЪொрод்родுроХ்роХро│ிрой் роородிрок்рокு роПро▒род்родாро┤ роЗро░рог்роЯு ро▓роЯ்роЪроо் роХோроЯி ро░ூрокாроп். роЕро░роЪிропро▓்ро╡ாродிроХро│ுроо், родொро┤ிро▓் роЕродிрокро░்роХро│ுроо், роород роиிро▒ுро╡ройроЩ்роХро│ுроо் роироо் роороХ்роХро│ைроЪ் роЪுро░рог்роЯி роХுро╡ிрод்род рокрогроо். роЗродே роЗрои்родிропாро╡ிро▓் рокெро░ுроо்рокாрой்рооை роороХ்роХро│ிрой் рооாрод ро╡ро░ுрооாройроо் роЗрой்ройுроо் роЖропிро░роо் ро░ூрокாропைрод் родாрог்роЯро╡ிро▓்ро▓ை.
роЪிро▓ роиாроЯ்роХро│ுроХ்роХு рооுрой்рокு рооро▒ைрои்род рокрогроХ்роХாро░ роЪாрооிропро░ாрой роЪாропிрокாрокாро╡ிрой் рокுроЯ்роЯрокро░்род்родி рокிро░роЪாрои்родி роЖроЪிро░роород்родிро▓், роЕро╡ро░ுроЯைроп рокிро░род்ропேроХ роЕро▒ைропாрой ропроЬூро░் ро╡ேрод роорои்родிро░் родிро▒роХ்роХрок்рокроЯ்роЯрокோродு роороХ்роХро│் роЕроЯைрои்род роЕродிро░்роЪ்роЪி роиிройைро╡ுроХ்роХு ро╡ро░ுроХிро▒родு. рокро▓ роХோроЯிроХ்роХрогроХ்роХாрой ро░ூрокாроп் роородிрок்рокிро▓ாрой роХро░рой்роЪி роиோроЯ்роЯுроХро│், роХிро▓ோ роХிро▓ோро╡ாроХ родроЩ்роХроо் рооро▒்ро▒ுроо் ро╡ெро│்ро│ி роироХைроХро│் роЪிроХ்роХிрой. роЖройாро▓் роЕрои்род роЕродிро░்роЪ்роЪிропை роТрой்ро▒ுрооிро▓்ро▓ாрооро▓் рооро▒роХ்роХроЯிроХ்роХроЪ் роЪெроп்родுро│்ро│родு родிро░ுро╡ройрои்родрокுро░роо் рокрод்роороиாрокроЪுро╡ாрооி роХோропிро▓். рооிроХрок்рокро┤рооைропாрой родிро░ுро╡ройрои்родрокுро░роо் рокрод்роороиாрокроЪுро╡ாрооி роХோропிро▓் родро▒்рокோродு рокுродிроп ро╡ெро│ிроЪ்роЪрод்родுроХ்роХு ро╡рои்родுро│்ро│родு. роЙро▓роХроо் рооுро┤ுро╡родுроо் рооீроЯிропாроХ்роХро│ிрой் роХро╡ройроо் роЗрок்рокோродு роЗрои்родроХ் роХோропிро▓ிрой் рооீродே роХுро╡ிрои்родுро│்ро│родு. ро╡ைрогро╡ро░்роХро│் рокோро▒்ро▒ுроо் роиூро▒்ро▒ிропெроЯ்роЯு родிро╡்ро╡ிроп родро▓роЩ்роХро│ிро▓் роТрой்ро▒ாрой роЗрои்родроХ் роХோропிро▓ிрой் рокாродாро│ роЕро▒ைроХро│ிро▓் родро▒்рокோродு роЕро│்ро│ роЕро│்ро│род் родроЩ்роХрооுроо், ро╡ைро░рооுроо் роХொроЯ்роЯுроХிрой்ро▒рой. роЗродு рокோрой்ро▒ рокுродைропро▓் роЕродிроЪропроЩ்роХро│ை роЗродுро╡ро░ை "роЕро▓ிрокாрокாро╡ுроо் роиாро▒்рокродு родிро░ுроЯро░்роХро│ுроо்" рокோрой்ро▒ родிро░ைрок்рокроЯроЩ்роХро│ிро▓் роороЯ்роЯுрооே рокாро░்род்родு ро╡рои்род роироо் роороХ்роХро│் ро╡ாропைрок் рокிро│рои்родு роиிро▒்роХிрой்ро▒ройро░்.
роЕройрои்родрой் роОройுроо் рокாроо்рокிрой் рооீродு родிро░ுрооாро▓் рокро│்ро│ி роХொрог்роЯிро░ுрок்рокродாро▓ேропே родிро░ுро╡ройрои்родрокுро░роо் роОройுроо் рокெропро░் рокெро▒்ро▒ роЗрои்род родро▓род்родிро▓் рокро┤роо்рокெро░ுроо் роЪேро░ро░் роХுро▓род்родைроЪ் роЪேро░்рои்род роЪேро░рооாрой் рокெро░ுрооாрой் роОройுроо் роорой்ройрой்родாрой் роЗрои்родроХ் роХோропிро▓ை рооுродрой்рооுродро▓ாроХ роОро┤ுрок்рокிропродாроХ ро╡ро░ро▓ாро▒ு роЪொро▓்роХிро▒родு. роЕродро▒்роХுрок் рокிрой்ройро░் роЗрои்родроХ் роХோропிро▓ிрой் роЪொрод்родுроХро│ைропுроо் роиிро░்ро╡ாроХрод்родைропுроо் "роОроЯ்роЯு ро╡ீроЯ்роЯிро▓் рокிро│்ро│ைрооாро░்" роОройுроо் роЙропро░் роЪாродிропைроЪ் роЪேро░்рои்род роЕродிроХாро░роо் рооிроХ்роХ роЬрооீрой்родாро░்роХро│்родாрой் родроЩ்роХро│் роХைроХро│ிро▓் ро╡ைрод்родுро│்ро│ройро░்.
рокродிройெроЯ்роЯாроо் роиூро▒்ро▒ாрог்роЯிро▓் родிро░ுро╡ிродாроЩ்роХூро░் роорой்ройро░ாрой ро░ாроЬா рооாро░்род்родாрог்роЯ ро╡ро░்рооா, роЗрои்родрок் рокிро│்ро│ைрооாро░்роХро│ிрой் ро╡роо்роЪрод்родைрок் рокோро░் рооூро▓роо் родோро▒்роХроЯிрод்родு родрой்ройுроЯைроп роЖро│ுроХைропிрой் роХீро┤் роХொрог்роЯு ро╡рои்родாро░். роЕрод்родுроЯрой் роХோропிро▓ைропுроо் рокுродுрок்рокிрод்родாро░். роХроЯைроЪிропிро▓் рооாро░்род்родாрог்роЯ ро╡ро░்рооா родрой்ройுроЯைроп роЕро░роЪ рокродро╡ிропை рокрод்роороиாрокроЪுро╡ாрооிропிроЯроо்(?) роТрок்рокроЯைрод்родு роЗро▒ைрок்рокрогிропிро▓் родрой்ройை роРроХ்роХிропрок்рокроЯுрод்родிроХ் роХொрог்роЯродாроХроХ் роХூро▒ுроХிро▒ாро░்роХро│். роЕродро▒்роХுрок் рокிрой்ройро░் роЗрои்родроХ் роХோропிро▓ிрой் роЪொрод்родுроХ்роХро│் роЕройைрод்родுроо் роЕро░роЪ рокро░роо்рокро░ைропிрой் ро╡роЪрооே роЗро░ுрои்родு ро╡рои்родுро│்ро│рой.
роЗроХ்роХோропிро▓ிрой் роХрогроХ்роХிро▓்ро▓ாрод роЪொрод்родுроХро│ை роЗро╕்ро▓ாрооிропро░் роЙро│்ро│ிроЯ்роЯ роЕрой்ройிропрок் рокроЯைропெроЯுрок்рокாро│ро░ிроЯрооிро░ுрои்родு роХாрок்рокாро▒்ро▒ுро╡родро▒்роХாроХ роХோропிро▓ிро▓் роЖро▒ு рокாродாро│ роЕро▒ைроХро│ை роЙрог்роЯாроХ்роХி роЕро╡ро▒்ро▒ிро▓் роЗроЪ்роЪெро▓்ро╡роЩ்роХро│ை ро╡ைрод்родுрок் рокро░ாрооро░ிрод்родுро│்ро│ройро░். роХுро▒ிрок்рокாроХ родிрок்рокு роЪுро▓்родாройிроЯрооிро░ுрои்родு рокாродுроХாрок்рокродро▒்роХாроХро╡ே роЗрои்род роПро▒்рокாроЯு роЪெроп்ропрок்рокроЯ்роЯродாроХ роЕро░роЪ рокро░роо்рокро░ைропிройро░் роХூро▒ுроХிрой்ро▒ройро░். роХோропிро▓ிрой் рооூро▓ро╡ро░ாрой роЕройрои்род рокрод்роороиாрокро░ிрой் роЪிро▓ைропே рооுро┤ுроХ்роХ рооுро┤ுроХ்роХ родроЩ்роХрод்родாро▓் роЖройродு. роЕро╡ро░் роЕрогிрои்родிро░ுроХ்роХுроо் роЕрогிроХро▓рой்роХро│் роТро╡்ро╡ொрой்ро▒ுроо் (рокூрогுро▓் роЙроЯ்рокроЯ) родроЩ்роХрод்родாро▓் роЖройро╡ைропே. роХாроЯ்роЯுроЪ் роЪро░்роХ்роХро░ை ропோроХроо் роОройுроо் ро╡ெро│ிрок்рокூроЪ்роЪை роЪிро▓ைропிрой் рооீродு рокூроЪி роЗро╕்ро▓ாрооிропро░ிрой் рокாро░்ро╡ைропிро▓ிро░ுрои்родு роЕродு рооро▒ைроХ்роХрок்рокроЯ்роЯродாроХро╡ுроо் роХூро▒рок்рокроЯுроХிро▒родு.
роХோропிро▓ுроХ்роХுроЪ் роЪொрои்родрооாрой роЗрой்ройுроо் роПро░ாро│рооாрой роЪெро▓்ро╡роЩ்роХро│் роХோропிро▓் ро╡ро│ாроХрод்родிро▓் роЙро│்ро│ роЖро▒ு рокாродாро│ роЕро▒ைроХро│ிро▓் рооро▒ைрод்родு ро╡ைроХ்роХрок்рокроЯ்роЯு рокாродுроХாроХ்роХрок்рокроЯ்роЯு ро╡рои்родுро│்ро│рой. роПро▒род்родாро┤ роиூро▒ாрог்роЯுроХро│ுроХ்роХுроо் рооேро▓ாроХрод் родிро▒роХ்роХрок்рокроЯாрооро▓் роЗро░ுрои்родு ро╡рои்род роЕрои்родрок் рокாродாро│ роЕро▒ைроХро│் родிро▒роХ்роХрок்рокроЯ்роЯு роЕро╡ро▒்ро▒ிро▓் роЗро░ுрок்рокро╡ро▒்ро▒ை роЙро▓роХро▒ிропроЪ் роЪெроп்роп ро╡ேрог்роЯுрооெрой்ро▒ு роЯி.рокி.роЪுрои்родро░ро░ாроЬрой் роОройுроо் ро╡ро┤роХ்роХро▒ிроЮро░் роЙроЪ்роЪ роиீродிроорой்ро▒род்родிро▓் ро╡ро┤роХ்роХு родொроЯро░்рои்родாро░். родிро░ுро╡ிродாроЩ்роХூро░் роорой்ройро░் роХுроЯுроо்рокрод்родிройро░் роЗрои்род ро╡ро┤роХ்роХை роОродிро░்род்родு рооройு роЪெроп்родройро░். роЖройாро▓் роЕродройை роиிро░ாроХро░ிрод்род роЙроЪ்роЪроиீродிроорой்ро▒роо் роЕрои்род роЕро▒ைроХро│ை роТро░ு роХுро┤ு роЕрооைрод்родுрод் родிро▒роХ்роХுроо்рокроЯி роЙрод்родро░ро╡ிроЯ்роЯродு. роЕродрой்рокроЯி рооுрой்ройாро│் роиீродிрокродிроХро│் роПро┤ு рокேро░் роЕроЯроЩ்роХிроп роХுро┤ு роЕрооைроХ்роХрок்рокроЯ்роЯродு. роЗрои்родроХ் роХுро┤ு роХроЯрои்род роЬூрой் 27роо் родேродி родрой்ройுроЯைроп роЖроп்ро╡ைрод் родொроЯроЩ்роХிропродு.
роЗрои்родроХ் роХுро┤ுро╡ிройро░ிрой் роироЯро╡роЯிроХ்роХைрок்рокроЯி роХோропிро▓ிрой் рокாродாро│ роЕро▒ைроХро│் роТро╡்ро╡ொрой்ро▒ாроХрод் родிро▒роХ்роХрок்рокроЯ்роЯு роЕро╡ро▒்ро▒ிро▓ிро░ுрои்род ро╡ிро▓ை роородிрок்рокிро▓்ро▓ாрод роЪொрод்родுроХ்роХро│் роХрогроХ்роХிроЯрок்рокроЯ்роЯрой. роЗрои்родроХ் роХрогроХ்роХு ро╡ிрокро░роЩ்роХро│் роЕродிро░்роЪ்роЪி рооேро▓் роЕродிро░்роЪ்роЪிропை роЕро│ிроХ்роХிрой்ро▒рой. родроЩ்роХрод்родாро▓ாрой рокெро░ுрооாро│் роЪிро▓ை, рокெро░ுроо் роородிрок்рокுро│்ро│ ро╡ைро░, ро╡ைроЯூро░ிроп роироХைроХро│், роХிро▓ோ роХрогроХ்роХிро▓் родூроп родроЩ்роХрод்родாро▓ாрой роироХைроХро│், родроЩ்роХ роиாрогропроЩ்роХро│் роОрой роТро░ு рокெро░ுроо் рокுродைропро▓ே роЪிроХ்роХிропுро│்ро│рой. родро▒்рокோродைроп роиிро▓ро╡ро░рок்рокроЯி роЗродுро╡ро░ை родிро▒роХ்роХрок்рокроЯ்роЯுро│்ро│ роРрои்родு роЕро▒ைроХро│ிро▓் роХிроЯைрод்родுро│்ро│ роЪெро▓்ро╡роЩ்роХро│ிрой் роородிрок்рокு роороЯ்роЯுроо் роХுро▒ைрои்род рокроЯ்роЪроо் роТро░ு ро▓роЯ்роЪроо் роХோроЯிропைрод் родாрог்роЯுроо் роОрой்ро▒ு роХூро▒рок்рокроЯுроХிро▒родு. роХோропிро▓ைроЪ் роЪுро▒்ро▒ி ро╡ро░ро▓ாро▒ு роХாрогாрод рокாродுроХாрок்рокு рокро▓рок்рокроЯுрод்родрок்рокроЯ்роЯுро│்ро│родு.
роХроЯைроЪிропாроХ роЙро│்ро│ роЖро▒ாро╡родு роЕро▒ை роЗрой்ройுроо் родிро▒роХ்роХрок்рокроЯро╡ிро▓்ро▓ை. роЗрои்род роЕро▒ை родிро▒роХ்роХ рооுроЯிропாрод роЕро│ро╡ுроХ்роХு рокро▓роо் рокொро░ுрои்родிропிро░ுрок்рокродாроХроХ் роХூро▒рок்рокроЯுроХிро▒родு. роЕрои்род роЕро▒ைропைрод் родிро▒рок்рокродு роЖроХрооро╡ிродிроХро│ுроХ்роХு рооுро░рогாройродு роОрой்ро▒ு роХூро▒ி роЕродைрод் родроЯுроХ்роХுроо் рооுропро▒்роЪிропிро▓் роХோропிро▓் роиிро░்ро╡ாроХроо் роЗро▒роЩ்роХிропுро│்ро│родு. роЕрои்род роЕро▒ை родிро▒роХ்роХрок்рокроЯுро╡родை роОродிро░்род்родு роорой்ройро░் роХுроЯுроо்рокроо் роЙроЪ்роЪ роиீродிроорой்ро▒род்родிро▓் родроЯைропுрод்родро░ро╡ு ро╡ாроЩ்роХிропுро│்ро│родு. роЕрои்род роЕро▒ை родிро▒роХ்роХрок்рокроЯ்роЯாро▓் роЕроЩ்роХு рокுродைрои்родிро░ுроХ்роХுроо் роЪெро▓்ро╡род்родிрой் роородிрок்рокு рооேро▓ுроо் роЪிро▓ рокுродிроп роЕродிро░்роЪ்роЪிроХро│ை роЕро│ிроХ்роХ ро╡ாроп்рок்рокுро│்ро│родு. роЖро▒ு роЕро▒ைроХро│ிро▓் роХроЯைроЪி роЗро░рог்роЯு роЕро▒ைроХро│் роХроЯрои்род 136 роЖрог்роЯுроХро│ாроХрод் родிро▒роХ்роХрок்рокроЯாродро╡ை роОрой்рокродு роХுро▒ிрок்рокிроЯрод்родроХ்роХродு.
роЗроХ்роХோропிро▓ிрой் роХுро│род்родிро▓ுроо் рокெро░ுроо் рокுродைропро▓் рооро▒ைрои்родிро░ுроХ்роХро▓ாроо் роОрой்ро▒ு роХேро░ро│ாро╡ைроЪ் роЪேро░்рои்род ро╡ро░ро▓ாро▒்ро▒ро▒ிроЮро░் рокிро░родாрок் роХிро┤роХ்роХே роороЯроо் роХூро▒ிропுро│்ро│ாро░். роЗроХ்роХோропிро▓ிро▓் рооொрод்родроо் роТрой்рокродு ро░роХроЪிроп роЕро▒ைроХро│் роЗро░ுрок்рокродாроХро╡ுроо், родро▒்рокோродு родெро░ிропро╡рои்родுро│்ро│ роЖро▒ு роЕро▒ைроХро│் родро╡ிро░, рооேро▓ுроо் рооூрой்ро▒ு роЕро▒ைроХро│் роХுро│род்родுроХ்роХுро│் роХிрогро▒ு ро╡роЯிро╡ிро▓் роЗро░ுроХ்роХро▓ாроо் роОрой்ро▒ுроо் роЕро╡ро░் роХூро▒ிропுро│்ро│ாро░். роЕрои்родроХ் роХாро▓род்родிро▓் роиேрокாро│род்родிро▓் роЙро│்ро│ роХрог்роЯிроХா роЖро▒்ро▒ிро▓ிро░ுрои்родு роЪாро▓роХிро░ாроо் роОройுроо் роЖропிро░роХ்роХрогроХ்роХாрой рокுройிродроХро▒்роХро│் родிро░ுро╡ройрои்родрокுро░роо் роХொрог்роЯு ро╡ро░рок்рокроЯ்роЯு, роЕро╡ро▒்ро▒ைроХ் роХொрог்роЯு рокрод்роороиாрокроЪுро╡ாрооி роЕройрои்род роЪропройрод்родிро▓் роЗро░ுрок்рокродு рокோрой்ро▒ рокோрой்ро▒ рооூро▓ро╡ро░் роЪிро▓ை роЪெроп்ропрок்рокроЯ்роЯродு. рокிрой்ройро░் роОроЮ்роЪிропிро░ுрои்род роХро▒்роХро│ுроо் роироХைроХро│ுроо் роХுро│род்родிро▓் роЙро│்ро│ роХிрогро▒ுроХро│ிро▓் рокோроЯрок்рокроЯ்роЯрой роОрой்ро▒ு роЕро╡ро░் родெро░ிро╡ிрод்родுро│்ро│ாро░். роЕро╡ро░் роЪொро▓்ро╡родு роЙрог்рооைропாропிро░ுрои்родாро▓் роЗрой்ройுроо் роТро░ு рокெро░ுроо் роЕродிро░்роЪ்роЪிроХ்роХு роиாроЯு роЖро│ாроХ ро╡ேрог்роЯிропிро░ுроХ்роХுроо்.
родிро░ுро╡ройрои்родрокுро░роо் роХோропிро▓ைрок் рокோрой்ро▒ே родிро░ுро╡ро░роЩ்роХроо் ро░роЩ்роХроиாродро░் роХோропிро▓ிро▓ுроо் рокெро░ுроо் рокுродைропро▓் роЗро░ுроХ்роХро▓ாроо் роОрой்ро▒ு родிро░ுроЪ்роЪிропைроЪ் роЪேро░்рои்род роХро▓்ро╡ெроЯ்роЯு роЖро░ாроп்роЪ்роЪிропாро│ро░் роХிро░ுро╖்рогрооாроЪ்роЪாро░ிропாро░் родெро░ிро╡ிрод்родுро│்ро│ாро░். родிро░ுро╡ро░роЩ்роХроХ் роХோропிро▓ிрой் роЪொрод்родுроХро│், рокிро░ெроЮ்роЪு роХாро░ро░்роХро│ிрой் рокроЯைропெроЯுрок்рокிро▓ிро░ுрои்родு рокாродுроХாрок்рокродро▒்роХாроХ роХோропிро▓ிро▓் роЙро│்ро│ роХро░ுроЯрой் роЪрой்ройродிроХ்роХு рокிрой்рокுро▒роо் ро░роХроЪிропрооாрой роЗроЯрод்родிро▓் рооро▒ைрод்родு ро╡ைроХ்роХрок்рокроЯ்роЯிро░ுроХ்роХро▓ாроо் роОрой்ро▒ுроо் роЕро╡ро▒்ро▒ை ро╡ெро│ிроХ்роХொрогро░ ро╡ேрог்роЯுроо் роОрой்ро▒ுроо் родрооிро┤роХ роЕро░роЪுроХ்роХு роЕро╡ро░் роХோро░ிроХ்роХை ро╡ிроЯுрод்родுро│்ро│ாро░்.
роЗродு родро╡ிро░, родிро░ுроЪ்роЪெрои்родூро░் рооுро░ுроХрой் роХோропிро▓், родிро░ுро╡ாро░ூро░் родிропாроХро░ாроЬ роЪுро╡ாрооிроХро│் роХோропிро▓் рокோрой்ро▒ро╡ро▒்ро▒ிро▓ுроо் роЗродு рокோрой்ро▒ рокெро░ுроо் рокுродைропро▓் роЕрой்ройிропро░்роХро│ிрой் рокроЯைропெроЯுрок்рокிро▓ிро░ுрои்родு рокாродுроХாрок்рокродро▒்роХாроХ рооро▒ைрод்родு ро╡ைроХ்роХрок்рокроЯ்роЯிро░ுроХ்роХро▓ாроо் роОрой்ро▒ுроо் рокро░рокро░рок்рокாрой родроХро╡ро▓்роХро│் роХிро│роо்рокிро╡ிроЯ்роЯрой. роЗрои்родிропாро╡ிрой் рокрогроХ்роХாро░ роЪாрооிропாрой родிро░ுрок்рокродி ро╡ெроЩ்роХроЯாроЪро▓рокродி роХோропிро▓ிро▓ுроо் роЗродு рокோрой்ро▒ рокெро░ுроо் рокுродைропро▓் рооро▒ைрои்родிро░ுроХ்роХ ро╡ாроп்рок்рокுро│்ро│родாроХро╡ே родோрой்ро▒ுроХிро▒родு.
родிро░ுро╡ройрои்родрокுро░роо் роХோропிро▓ிро▓் родро▒்рокோродு роХிроЯைрод்родுро│்ро│ роЪொрод்родுроХ்роХро│ுроХ்роХுрок் рокோроЯ்роЯிропுроо் роХிро│роо்рокிро╡ிроЯ்роЯродு. родிро░ுро╡роЯ்роЯாро░் роЖродிроХேроЪро╡рок் рокெро░ுрооாро│் роХோропிро▓ுроХ்роХுроЪ் роЪொрои்родрооாрой роироХைроХро│ுроо் роЗродிро▓் роЕроЯроЩ்роХிропிро░ுрок்рокродாроХ роЕрои்родроХ் роХோропிро▓் роиிро░்ро╡ாроХроо் роХூро▒ிро╡ро░ுроХிро▒родு.
роЕрой்ройிропрок் рокроЯைропெроЯுрок்рокிро▓ிро░ுрои்родு роХோропிро▓் роЪொрод்родுроХ்роХро│ை рооро▒ைрод்родு ро╡ைрод்родுроХ் роХாрок்рокாро▒்ро▒ிропродро▒்роХாроХ роорой்ройро░் рокро░роо்рокро░ைропிройро░ைрок் рокாро░ாроЯ்роЯுроо் ро╡ிро╡ாродроЩ்роХро│் родொроЯроЩ்роХிро╡ிроЯ்роЯрой. роЖройாро▓் роЗро╡்ро╡ро│ро╡ு роЪெро▓்ро╡роо் роХோропிро▓ுроХ்роХு роОрок்рокроЯி роХிроЯைрод்родродு роОрой்рокродு рокро▒்ро▒ி ропாро░ுроо் ро╡ாроп்родிро▒роХ்роХ рооро▒ுроХ்роХிро▒ாро░்роХро│். роЗродெро▓்ро▓ாроо் роЕрои்род роорой்ройро░் рокро░роо்рокро░ை роЙро┤ைрод்родுроЪ் роЪேро░்род்род роЪெро▓்ро╡роЩ்роХро│ாро╡ோ роЕро▓்ро▓родு роороХ்роХро│் рокроХ்родிропுроЯрой் роХோропிро▓ுроХ்роХு роЕро│ிрод்род роирой்роХொроЯைроХро│ாроХро╡ோ роЗро░ுроХ்роХ ро╡ாроп்рок்рокிро▓்ро▓ை. ро╡ро░ро▓ாро▒்ро▒ிрой் ро╡ெро│ிроЪ்роЪрод்родுроХ்роХு ро╡ро░ாрод роорой்ройро░ாроЯ்роЪிроХ் роХாро▓род்родிро▓் роороХ்роХро│ிрой் роЙро┤ைрок்рокைроЪ் роЪுро░рог்роЯி роЖро│ுроо் ро╡ро░்роХ்роХроо் роЪேро░்род்род роЪெро▓்ро╡роЩ்роХро│ாроХрод்родாрой் роЗро╡ை роЗро░ுроХ்роХ рооுроЯிропுроо். рокрод்роороиாрок роЪுро╡ாрооிропை роЕро▓роЩ்роХро░ிрод்род роТро╡்ро╡ொро░ு роЖрокро░рогрод்родுроХ்роХுроо் рокிрой்ройாро▓் роОрод்родройை роПро┤ை роороХ்роХро│ிрой் ро╡ாро┤்ро╡ுро░ிрооை рокро▒ிроХ்роХрок்рокроЯ்роЯிро░ுроХ்роХுроо் роОрой்рокродை роиிройைрод்родாро▓் роиெроЮ்роЪு роХொродிроХ்роХிро▒родு. роЗрои்родிропாро╡ிро▓் роороХ்роХро│ிрой் роЙро┤ைрок்рокைроЪ் роЪுро░рог்роЯி рооுро▒ைроХேроЯாроХроЪ் роЪேро░்род்род рокрогроо் роЪுро╡ிро╕் ро╡роЩ்роХிроХро│ிро▓் роХுро╡ிроХ்роХрок்рокроЯுро╡родைрок் рокோро▓ роЕрои்родроХ் роХாро▓род்родிро▓் роЪேро░்роХ்роХрок்рокроЯ்роЯ роЪெро▓்ро╡роЩ்роХро│் роХோропிро▓்роХро│ிро▓் роХுро╡ிроХ்роХрок்рокроЯ்роЯுро│்ро│рой.
роороХ்роХро│ாроЯ்роЪிроХ் роХாро▓род்родிро▓் роЪுро╡ிро╕் ро╡роЩ்роХிроХро│ிро▓் роЪேро░்рои்родுро│்ро│ роХро░ுрок்рокு рокрогрод்родை роЗрои்родிропாро╡ுроХ்роХு роХொрог்роЯு ро╡рои்родு роиாроЯ்роЯிрой் ро╡ро│ро░்роЪ்роЪிроХ்роХுроЪ் роЪெро▓ро╡ிроЯ ро╡ேрог்роЯுроо் роОройுроо் роХோро░ிроХ்роХை рокро░ро╡ро▓ாроХ роОро┤ுрои்родுро│்ро│родு. роЕродே рокோро▓் роорой்ройро░ாроЯ்роЪிроХ் роХாро▓род்родிро▓் роХோропிро▓்роХро│ிро▓் роЪேро░்роХ்роХрок்рокроЯ்роЯுро│்ро│ роЗродு рокோрой்ро▒ "роХро░ுрок்рокுроЪ் роЪெро▓்ро╡роЩ்роХро│ை"ропுроо் роХைрок்рокро▒்ро▒ி роороХ்роХро│் роиро▓род்родிроЯ்роЯроЩ்роХро│ுроХ்роХுроЪ் роЪெро▓ро╡ிроЯ ро╡ேрог்роЯுроо்.
роХோропிро▓்роХро│், роЖроЪிро░роороЩ்роХро│் рокோрой்ро▒ роород роиிро▒ுро╡ройроЩ்роХро│ிрой் роЪொрод்родுроХ்роХро│் ро╡ро░ைрооுро▒ைроХ்роХுроЯ்рокроЯுрод்родрок்рокроЯ ро╡ேрог்роЯுроо். родро▒்рокோродு роЪிроХ்роХிропுро│்ро│ роЪெро▓்ро╡роЩ்роХро│ைропுроо் роЗройி роЪிроХ்роХрок் рокோроХுроо் роЪொрод்родுроХ்роХро│ைропுроо் роЕро░роЪிрой் роХро░ுро╡ூро▓род்родுроХ்роХுрок் рокோроп்роЪ் роЪேро░ுроо் ро╡роХைропிро▓் рокுродிроп роХொро│்роХைроХро│் ро╡роХுроХ்роХрок்рокроЯ ро╡ேрог்роЯுроо். роЗро▓்ро▓ைропெрой்ро▒ாро▓் роХрогроХ்роХிро▓் ро╡ро░ாрод роХро░ுрок்рокு рокрогроо் роХோропிро▓்роХро│ிро▓ுроо் роЖроЪிро░роороЩ்роХро│ிро▓ுроо் роироХைроХро│ாроХроХ் роХுро╡ிро╡родு роЗрой்ройுроо் рокெро░ுроХுроо்.
роТро░ு рокро╡ுрой் родроЩ்роХроо் ро╡ாроЩ்роХ рооுроЯிропாрооро▓் роХро▓்ропாрогроХ் роХройро╡ுроХро│ைрод் родро│்ро│ிро╡ைрод்родுроХ் роХாрод்родிро░ுроХ்роХுроо் роПро░ாро│рооாрой рокேро░ிро│роо் рокெрог்роХро│ைроХ் роХொрог்роЯ роиாроЯ்роЯிро▓் рокрод்роороиாрокроЪுро╡ாрооி роЪிро▓ைроХ்роХு роЗрод்родройை роЕро▓роЩ்роХாро░роо் родேро╡ைропா? роЗрои்род роЪெро▓்ро╡роЩ்роХро│் рооுро┤ுро╡родுроо் родроЩ்роХро│் ро╡роЪрооே роЗро░ுроХ்роХ ро╡ேрог்роЯுроо் роОрой்ро▒ு роХோропிро▓் роиிро░்ро╡ாроХроо் роХூро▒ி ро╡ро░ுроХிро▒родு. роТро░ு роХோропிро▓ுроХ்роХு роОродро▒்роХு роЗрод்родройை роЪொрод்родுроХ்роХро│்? родроЩ்роХ роироХைроХро│ுроЯрой் роороЯ்роЯுрооே рокроХ்родро░்роХро│ுроХ்роХுроХ் роХாроЯ்роЪி родро░ுро╡ேрой் роОрой்ро▒ு роЕроЯроо்рокிроЯிроХ்роХுроо் роОрои்родроХ் роХроЯро╡ுро│ுроо் роХро░ுрогைропுро│்ро│ро╡ро░ாроХ роЗро░ுроХ்роХ рооுроЯிропாродு.
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